Buho 2
Buho 2
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The painting "Búho 2" (Owl 2) by Alex G. Lazard is a visually arresting artwork layered with totemic strength and mystical symbolism. Rooted in a textured, graphic style of contemporary art, the piece showcases a majestic owl with an intense, piercing gaze dominating the canvas. Rendered with bold black and grey outlines and accented by warm ochre and subtle red tones, the bird stands on an abstract branch. The background presents a fascinating contrast: a dense constellation of small circles interconnected by fine geometric lines, evoking cosmic maps, neural pathways, or the hidden networks of nature.
The tactile quality of the canvas—blending a chalky white background with delicate mineral shading—gives this original painting an incredible and unique depth. The animal figure, a timeless emblem of wisdom and foresight, detaches itself beautifully from its complex, patterned surroundings. "Búho 2" stands out as an exclusive artwork, perfectly curated to infuse a high-end interior design project with poetic mystery, graphic sophistication, and bold avant-garde character.
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Size
120x150cm
Type of paint
Mixed media
Frame type
Alex G. Lazard
Born in Mexico in 1986, Alex G. Lazard is a leading contemporary painter and printmaker. He completed his training across Mexico and Europe—including "La Esmeralda" in Mexico City, the University of Barcelona, and the Angel Academy in Florence—and refined his skills under the guidance of master Gilberto Aceves Navarro.
Lazard’s work stands out for its bold experimentation with unconventional materials, using linoleum as a canvas, tar as a base, and chalk mixed with paint to add deep texture. Likening his process to Butoh dance, he seeks to "disappear" while painting, letting the artwork channel characters directly from the unconscious mind. His creations fluidly navigate between figuration and abstraction, exploring daily life, spirituality, and the complexity of human connections.
With over 20 collective and 18 solo exhibitions—including prominent shows at Casa Barragán and the Senate of the Republic—Lazard’s art is widely acclaimed by critics and major national media outlets (CONACULTA, La Jornada, El Universal), establishing him as a key figure of his generation.