Paz
Paz
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The painting "Paz" (Peace) by Alex G. Lazard (referenced under the file name "15 Paz.jpg") is a figurative portrait possessing immense psychological calm paired with profound tactile strength. Rooted in a neo-expressionist and outsider style of contemporary art, the canvas centers around a seated figure cloaked in a luminous, golden terracotta dress. The character’s tranquil, almost meditative gaze infuses the composition with a lingering aura of quietude and inner harmony.
The visual depth of the artwork is anchored by its extraordinary background treatment. The artist has built up a dark, weathered, and earthy backdrop, punctuated by heavy texturing and splatters of acid green and sulfurous yellow. This dramatic contrast pulls the bright central figure forward, granting it a stark, organic presence. "Paz" stands out as an exclusive artwork, perfectly curated to bring poetic emotion, rich storytelling, and avant-garde character to luxury interior design projects.
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Size
170x140cm
Type of paint
Mixed media
Frame type
Alex G. Lazard
Born in Mexico in 1986, Alex G. Lazard is a leading contemporary painter and printmaker. He completed his training across Mexico and Europe—including "La Esmeralda" in Mexico City, the University of Barcelona, and the Angel Academy in Florence—and refined his skills under the guidance of master Gilberto Aceves Navarro.
Lazard’s work stands out for its bold experimentation with unconventional materials, using linoleum as a canvas, tar as a base, and chalk mixed with paint to add deep texture. Likening his process to Butoh dance, he seeks to "disappear" while painting, letting the artwork channel characters directly from the unconscious mind. His creations fluidly navigate between figuration and abstraction, exploring daily life, spirituality, and the complexity of human connections.
With over 20 collective and 18 solo exhibitions—including prominent shows at Casa Barragán and the Senate of the Republic—Lazard’s art is widely acclaimed by critics and major national media outlets (CONACULTA, La Jornada, El Universal), establishing him as a key figure of his generation.